Anna Livia Plurabelle: The Lost Truth of Feminine Subjectivity :: essays research papers

Anna Livia Plurabelle: The Lost Truth of Feminine Subjectivity The oppressed, repressed, and impressed subjectivity of feminism finds a new opportunity to assert its true self against the stultifying atmosphere of modernism and identity-oriented crisis of postmodern ambience by appealing to the unique characterization of Anna Livia Plurabelle which frequently oscillates phallocentrism and proves the me'connaissance of male selfism and female-otherness to establish a new doctrine based on the fact that the male subjectivity as a desceptionary ruling self is subverted through the intermittent alterity that the indispensable feminine Being-Anna Allmazifull-makes possible. Anna Livia Plurabelle (ALP) represents a kind of discourse (gramma's grammer) that grammatologically brings forth a new status in which feminine otherness is altered into an origin that governs all patriarchal claims postrated and confirms them margin subject to feminine alterity. To achieve a full subjectivity through alterity, Joyce appeals to dream, a means in which the self is fully lost and the process of becoming other flows without the trammel that consciousness brings about. Dream contains potentiality to make one which is two-Anna Livia and her daughter Issy or Anna and Kate. Anna lives so many lives especially her pre-self (Issy) her own current self, and her post-self (Kate) to certify feminine power which dwells in the male unconsciousness. Also, through dream, the three processes to which Freud refers as distortion, displacement, and condensation, are depicted to give more authenticity to gramma's grammer. That is through these processes the unconscious is structured to appeal the logic with the purpose of proving the nature of real feminine subjective manipulation over male-made canon. Hence the term alterity. Tracing back the origin of alterity, one comes to term with sexuality as a genetic drive, in possession of female. Again, at this point Anna Livia stands at the head as an invincible representative of women and manipulates the condition through her top hand. Anna who is prayed as "†¦ Allmazifull, the Everliving, the Bringer of Plurabilities †¦ (FW: 104.1-3) dissipates HCE into Howth Castle and Environs and gives us an important key to establish the motif of stone as death and the delineation of the creative power of sexuality reminds us the tree motif as life: so, the dialectic of stone and tree metaphorically stands for the dialectic of death and life within the sphere of the Hegelian Absolute Being (ALP).